'Boom Pow' is for sure an invitation to dance and to a good time." While Currinn named the text of "Boom Pow" "catchy" and praised Stan's vocal delivery, Los 40 Principales stated that "no summer is complete without summer bet destined to become a summer song", and further felt that the singer tried new sounds with which she hadn't worked prior. About the track, Stan confessed in an interview that its lyrics "fit perfectly with the vibe of Constanța, which adores. Jonathan Currinn, writing for website Celebmix, described "Boom Pow" as a "progressive" song incorporating both europop and "over-the-top" dance styles in its composition, further labelling its sound as "mature", and noting the use of "pulsating beats" and "bass-infused synths" in the recording's instrumentation. The single was written by David Ciente and Trey Campbell, while production was solely handled by Ciente. While music critics were positive towards the single and its visual, "Boom Pow" commercially peaked at number 67 on Romania's Airplay 100. A europop and dance recording, Stan confessed that its lyrical content fits with the vibe of Constanța, her home town, where an accompanying music video was also shot in April 2016 by Ironic Distors. "Boom Pow" was written by David Ciente and Trey Campbell, while the production process was solely handled by Ciente. It was made available for digital consumption on 25 August 2016 through Roton and Global Records. I am pretty sure that it could be heavily rotated in upcoming gigs and become somewhat stale after a few features, yet an efficient party starter."Boom Pow" is a song recorded by Romanian recording artist Alexandra Stan for her third studio album, Alesta (2016). Otherwise, consider it a curious experiment between two reputed producers that didn’t ignite the spark I was seeking for, considering the genre is not my cup of tea. Overall, if you are a fan of this kind of Hip-hop leaning track, “Boom Boom Pow” can cater as this excellent single for your library. It’s weird to see that both the singers haven’t been credited, considering the kind of release. The structure is linear, without a distinct drop segment, but rather one groove with a fast-paced percussions. The whole structure emphasizes, as expected, on the female vocalist’s performance (somewhat repetitive) and a rap part that follows up as a duet in the central breakdown… the results work, especially when Afrojack adeptly introduces his Dutch House squeaky lead synths just around the end. The low-end department is dominated with the Zafrir’s darker vibes, with a sprinkled Bass/G-House vibes going together with hip-hop percussions. However, let’s see how Afrojack and Zafrir modernized and added their spin. I never found myself totally settled with the trend of that time, as these schematic has aged like milk in my honest opinion (with a few brilliant exceptions), so the aforementioned instrumental didn’t paint an overall great impression on me. The duo presents an unanticipated hip-hop clubbier production, an energetic type that was storming the dance-floors in 2012/2013. Such is the case of the newest studio outcome with Afrojack in “Boom Boom Pow”. The detail I appreciate in this efforts is that he is always trying to introduce new ideas, without recycling his sound, more noticeable in the joint-efforts whilst in the presence of a talented collaborator. Zafrir strikes me as the individual who keeps releasing a lot of music and conducting team-ups with famous aliases, often with forgettable results and sometimes with gorgeous results. Curious output, maybe suitable for a specific audience.Amazing way of mixing together the two styles.Uncredited vocalists with a club-like performance.
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